FromReachertoSons of Anarchy, some of the best thriller shows on TV favor exhilarating action over a complex and confusing plot. It’s common for thriller shows to spin a complicated narrative web that’s difficult to follow,likeSeveranceorSlow Horses.

But sometimes, you just want to switch your brain off andwatch Jack Bauer beat up terrorists, or watch the undercover cops ofMiami Vicechase after a perp in a lavish sports car. These thriller shows are more interested in action than plot.

Michael smirking in Prison Break

10Prison Break

A Meticulously Planned Jailbreak

The first episode ofPrison Breaksets up the premise of a man getting himself intentionally incarcerated in a maximum-security prison so he can help his wrongfully convicted brother escape. But that’s just the beginning. They soon run afoul of a shady corporate alliance known as “The Company,” which wants to hunt them down to tie up loose ends.

The plot ofPrison Breakis simple enough: Michael Scofield has tattooed the prison blueprints onto his body, so he and his brother Lincoln can plan their jailbreak. The series’ key plot points — breaking out of prison, going on the run as fugitives, and taking on The Company — are all driven by action spectacle.

Magnum PI 3

9Magnum, P.I.

Tom Selleck As A Chilled-Out Private Eye

Magnum, P.I.is a delightful two-hander about the relationship between Thomas Magnum, a laidback private detective living in a luxurious mansion, and his uptight butler Higgins.The dynamic between Magnum and his comic foil takes center stageinMagnum, P.I., so the plot never gets too heavy.

Action became a popular TV genre throughout the 1980s, andMagnum, P.I.is one of the definitive action shows of that era. The action became so prominent that, a few episodes into the series, its theme tune was replaced with something more fast-paced and exciting to reflect that focus.

Jax Raising His Eyebrows In Sons Of Anarchy

8Sons Of Anarchy

An Ultraviolent Biker Drama

What if the Sopranos were bikers instead of mobsters? That’s the premise ofSons of Anarchy.It sharesThe Sopranos’ mix of crime drama and family drama, but the characters are in a leather-clad biker gang, not an Italian-American mafia family. It’s also much more action-packed thanThe Sopranos, with plenty of shootouts, motorcycle chases, and prison beatings.

The overarching plot ofSons of Anarchyis a modern reimagining ofHamletin which a duplicitous stepdad usurps the king. The series has plenty of storylines pitting SAMCRO against law enforcement and other bikers, but those story beats are usually there to set up action sequences. The action isbrutal, bloody, and unapologetically gnarly.

Jon Bernthal as Frank Castle wearing his armor in The Punisher

7The Punisher

A Gruesome Vigilante Thriller

Frank Castle is not your average Marvel superhero. He’s essentially a Marvel version of Charles Bronson inDeath Wish: a family man who becomes a vicious vigilante when he’s pushed to the edge by some sadistic gangsters.The Punisherpremiered on Netflix, outside the Disney-owned Marvel Cinematic Universe, so it was free to be as bloody as it wanted.

Jon Bernthal gives one of the best performances of his careerin the title role. He captures Frank’s tough-as-nails badassness, but he also captures the deep well of grief and pain that his violence stems from.Every plotline inThe Punisheris just there to set up a blood-drenched beatdownwhereby Frank serves his uniquely gruesome brand of justice.

Detective Sonny Crockett and Detective Rico Tubbs looking forward in Miami Vice

6Miami Vice

The Quintessential ’80s Cop Show

If the ‘80s could be distilled into a single TV show, it would beMiami Vice.Miami Vicesubverted the usual tropes of the police proceduralby putting its cops in flashy sports cars, playing pop and rock music on the soundtrack, and stylizing the visuals. It revolves around a pair of undercover cops getting into all kinds of trouble.

Color TV had been around for decades by the timeMiami Vicecame along, but it was the first show to make full use of that color. A big part of that was putting as much action as the budget would allow into each episode.

Timothy Olyphant as Raylan Givens looking off to the side with a smug expression in Justified

5Justified

Elmore Leonard-Based Neo-Western

Adapted from Elmore Leonard’s short story “Fire in the Hole,”Justifiedis a thrilling neo-western about a roguish U.S. Marshal hunting down fugitives on the modern-day frontier. The series started off as a case-of-the-week procedural in which Raylan Givens went after a different perp in each episode, but it evolved into a more serialized drama.

Two things persisted throughout the show’s run: the rich, stylish, conversational dialogue ripped straight from the pages of Leonard’s stories, and the frequency of the action set-pieces.In the tradition of Indiana Jones and Nathan Drake, Raylan doesn’t win a ton of fights; he takes a lot of punches, which makes him a lovable underdog.

Jack Bauer holding a gun in 24

424

A Real-Time Terrorist Thriller

What sets24apart from other thriller shows is that it plays out in real time. Every season is 24 episodes long, and every episode makes up an hour in a very eventful day in the life ofcounterterrorist agent Jack Bauer. On each of these days, Jack puts his life on the line to neutralize a terrorist threat against America.

Every season has a complicated plot with an abundance of twists as large-scale operations unfold and the villains improvise to keep up with Jack’s meddling. But above all, it’s an action series; the plot is just there to facilitate action sequences. Jack spends each of his 24-hour adventures getting in and out of high-stakes, life-or-death scenarios.

The A-Team cast standing in a row.

3The A-Team

Soldiers Of Fortune In A Gig Economy

When a quartet of ex-Army Special Forces badasses are framed for a crime they didn’t commit, they go on the run and become soldiers of fortune inThe A-Team.The A-Teambecame a pop-cultural staple of the 1980s,beloved for its wacky characters, its lighthearted comedic tone, and above all, its absurd, over-the-top action sequences.

In every episode, the team is hired for a different mercenary job, and every job turns into a high-octane spectacle with explosions, firefights, and car chases.The A-Teamwas known for sanitizing its violence. There’s plenty of violent action in every episode, but no one ever gets seriously hurt — it’s more like a cartoon, likeTom and Jerry.

Alan Ritchson with cuts on his face in Reacher season 3

2Reacher

Batman Without A Mask

The title character inReacheris basically Batman without a mask. He’s a former military cop and current drifter who doles out vigilante justice every time he comes across a nefarious criminal (which is unusually common). Unlike the previous movie adaptations, which retrofitted the source material into a Tom Cruise blockbuster vehicle,Reacheris a spot-on adaptationof Lee Child’s literary icon.

Alan Ritchson instantly proved himself to be a formidable action hero in the role of Reacher. He puts his brawn to good use whenever he encounters a bad guy, and it’s as wildly entertaining as it is uncompromisingly brutal. Each season borrows the plot of one of Child’s novels, but the show’s producers are much more focused on action.

Elektra and Daredevil fighting together in Daredevil

1Daredevil

A Dark, Grounded, Gritty Superhero Show

After the disappointment of Ben Affleck’sDaredevilmovie, the bar was low for the next on-screen adaptation of the Man Without Fear. But the Netflix series went above and beyond that bar with one ofthe best superhero shows of all time. Its combination of gritty, grounded crime drama and comic book action spectacle is on par withThe Dark Knight.

There’s a great hero/villain dynamic at the heart ofDaredevil— Charlie Cox’s righteous lawyer Matt Murdock and Vincent D’Onofrio’s ruthless mob boss Wilson Fisk — but it’s much more interested in action than plotting. There’s one iconicOldboy-style hallway fight in particular thatestablished the show’s incredibly cinematic style of action filmmaking early on, and the rest of the series maintained it.