Summary
For a franchise dedicated to heading to the final frontier,Star Trekcan be slow to reach movie theaters. The lastStar Trekmovie came out in 2016: the franchise’s 50th anniversary. Time is running out for a film to celebrate its next big birthday, and even then, that would mark the longest time without the USS Enterprise in movie theaters since 1979. Rumors have swirled about new movie ideas, from adirect sequel toStar Trek: Beyondto a Quentin Tarantino-led installment, but nothing has materialized.
X-Manveteran Simon Kinberg is the latest name attached to overseea new series of Star Trek films, just as a merger between Trek-custodian Paramount Global and Skydance Media is firming up. With the franchise riding a new peak on the small screen while the rebooted movie universe is running on empty, it’s time for any new-look studio and creative team to make big changes to ensureStar Trekboldly heads back to cinemas.
Should Star Trek Continue With Kirk, Spock, And McCoy?
Older fans will rememberStar Trek’s previous lean period. After dominating 1990s TV, the franchise fell from cinemas and TV in the 2000s.Star Trek: The Next Generationfaded after four films, andStar Trek: Enterprisewas canceled after four seasons.
When the franchise returned, it was with a refreshing and undeniably successful reboot. 2009’sStar Trek, helmed by JJ Abrams, achieved box office success and critical acclaim (94% on Rotten Tomatoes) as it did the unthinkable: recreate theOriginal Seriesfor a new generation. At its warp core was a time trick that diverged the timeline at the point of Captain Kirk’s birth — a brilliant way to honor the established universe while creating anew timeline unconstrained by history.
Naturally, it wasn’t for every fan — that comes with the baggage of a 50-year history. But the well-known characters were brilliantly cast, and the new sheen on 60sStar Trekworked. The future looked promising in more ways than one, but the sequels didn’t take long to get into trouble.Star Trek: Into Darknesstried to take on the legacy of the classic sequelStar Trek II: The Wrath of Khanand came up short.Star Trek Beyondwas well received but similarly misstepped as it stuck Kirk on a bike to make the unlimited potential of the galaxy look a lot like a dirt track.
It’s not impossible that the deft touch that made the 2009 film so enjoyable can be recaptured if the rebooted Enterprise returns. But the rollout ofStar Trekseries on streaming has shown plenty of room for different takes, time periods, and voices in this vast franchise. Big-screenStar Trekdoesn’t need the original characters, but it does need to tell stories that appeal to long-time fans and introduce new audiences to the final frontier.
Leave Star Trek’s Past Behind
Most ofStar Trek’s10 series and 13 films occur in the 24th century, with healthy spells in the preceding two centuries and, with the latter seasons ofStar Trek: Discovery, thousands of years into the future. Small-screenStar Trekhasn’t hung around sinceDiscoverydebuted in 2017. It has even revived Kirk, Spock, and Scotty on streaming while their cinema counterparts have been left on the shelf. That era is beyond a further reboot, and resetting other popular eras, likeThe Next Generation, would only confuse new viewers and alienate existing fans.
NewStar Trekfilms must create space to introduce brilliant and entertaining new ideas that honor the legacy and don’t clash with a canonpacked with massive retcons. The rumored subject of the Kinberg-led films, exploring the founding of Starfleet and humanity’s first steps into space, would struggle to do that. Plans toadapt the pivotal Earth-Romulan Warof the 22nd century have fallen through before, andStar Trekhas often done better going forward than back. Upping the anchors, a new film could do worse than jump beyondStar Trek: Picardand take a leap with a new crew and ship in the 25th century.
Recapture The Ongoing Mission
Star Trekhas had great success on film, but it’s most comfortable on TV. That’s where its best storylines, characters, and villains started. It’s no surprise thatStar Trek’s most successful spell tried to capture that sense of an ongoing story. After the 15-year in-universe leap betweenStar Trek: The Motion PictureandStar Trek II: The Wrath of Khan, the “Genesis trilogy” took in the death and resurrection of Spock before Kirk and crew headed back to 1986 to save Earth in the 23rd century.
WhileStar Trek Beyondleap-frogged the Enterprise’s five-year mission, the Kelvin movies missed the chance to draw fans into that kind of compelling saga. Paramount’s commitment toStar Trekmovies could create an overarching web of stories packed with cliffhangers, picking up the best lessons from the MCU. It’s not about making a complicated continuity that will put off fans but creating momentum.
Get Back to Star Trek Basics
Star Trek’s creator, Gene Roddenberry, wanted to create sci-fi with a message, and the tussle betweenphilosophy and sci-fi action, utopia and war, has been with the franchise ever since. While the most recent reboot was generally a success, it missed that message and became increasingly less relevant to its audience’s world, even when Kirk jumped on a motorbike. A diverse and progressive franchise,Star Trekis one of the best sci-fi properties at casting a light on the present from its enlightened future.
It’s no coincidence thatStar Trekhas enjoyed its biggest success on film when its message has been clearest. The environmental subtext ofStar Trek IV: The Voyage Homewas ahead of its time. It doesn’t need to be forced; just make sure the themes resonate. That is somethingStar Trekshould do on impulse power.
Find Alien Perspectives
Star Trek’s world-building has given us fantastic alien races, starting with pop culture icon Spock.Star Trek: Deep Space Nine’s stationary base remains the highlight, adding huge amounts to races like Klingons and Ferengi. The ramifications of the painful history ofBajor’s occupation by Cardassiashowed humans don’t have to be at the heart of the drama. To paraphrase Captain Kirk, alien characters can sometimes be the most human.
The different perspective doesn’t have to end there. The exploration of the final frontier isn’t just down to the officers of Starfleet. Explorers, settlers, pioneers, and more can draw out the essence of the original “wagon train to the stars” at the heart of Roddenberry’s original pitch (as recounted in the bookThe Making of Star Trek). Shows have moved since episodes saw the crew of the Enterprise drop into a new town every week. Still, the latest Western sagas, like studio stable-mateYellowstoneor Kevin Costner’sHorizon: An American Saga,show that there’s still room for big-screen frontiership. If it’s good enough for neo-Westerns, it’s great forStar Trek’sspace-Western.
Build On Ideas, Don’t Remake Them
Star Trek: Into Darknessis an excellent example of how not to honor the past. It took the potential of the new movie series’ alternative timeline too literally and ended up feeling like a parody of the legendaryWrath of Khan. Star Trek has a great history of referencing and reinterpreting its canon, but new films must steer clear of iconic events, whether they revolve around Khan, Borg, or humpback whales.
Instead,Star Trekshould build on the themes behind them, exploring new and distinctive ideas around the implications of the Federation’s future. The effect of technology on biological entities isn’t restricted to Khan or the Borg, and the plight of Earth in the 23rd century isn’t just about saving whales.
Take time travel; it’s a concept that has been embedded intoStar Treksince its first season. Almost every generation of the franchise has enjoyed (or suffered)a memorable trip through time. It’s been decades since major blockbusters dragged audiences back into theaters with the promise of time travel.Back to the FutureandThe Terminatorused to dominate;Star Trekcould do it again.
Give Fans More Than Live-Action Star Trek
Star Trekcan afford to take more risks in movie theaters than ever before. In recent years, the franchise has pushed out the envelope, fromLower Decks’s adult animation toProdigytoStrange New Worlds’musical episodes. In a galaxy of opportunity, just serving up a sci-fi action-adventure with drama, comedy, and CGI doesn’t cut it.
Paramount Plus adds another dimension, whether it stands alone or merges with another streamer in the future. The upcomingSection 31has morphed from a TV show into a movie for the service that, while an excellent vehicle for Michelle Yeoh, explores acontroversial part ofStar Treklore. With feature-length stories and series pushing the franchise forward on the small screen,Star Trekcan take chances on cinema screens that old rivals, like Disney’sStar Wars, cannot.
Star Trek
Star Trek is a space exploration franchise originally created by Gene Roddenberry. The series has spanned shows like The Original Series, The Next Generation, and Voyager. More recently, developer Scopely came out with Star Trek Fleet Command, a mobile title where you get to be captain of your own ship.
